The ash was wrong.
Elian noticed it within three steps of the passage mouth: the particulate rising from the dissolving stonework was not the gray-white of combustion ash, not the heavy charcoal drift of burned organic matter. It was finer than that. It was the pale, weightless residue of something more fundamental—structural material being reduced not to its burned state but to its component possibility, as though the ruins were forgetting what they had been made of.
He had seen this once before. Not on this scale. Not with this patience. But the quality of the dissolution was identical to the fringe-effects he had documented in the Athenaeum's outer courtyard, where the amplification circuit's overflow had reached the boundary stones and simply begun to ask them to stop being stone.
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