The files Sable keeps in a plastic crate under the room's single window are organised by date, oldest at the bottom, and she has not looked at the oldest ones since the third week — not because they are unimportant but because something in her researcher's instinct understood, even then, that she was not ready for what the oldest ones would require her to think about.
She is ready now. Or she has decided to behave as though she is, which has always been close enough.
She climbs the stairs to her rented room at half past one in the morning with plaster dust in her hair and her notebook tucked against her ribs and the particular quality of alertness that comes not from danger but from having been, for a few minutes in a dark corridor, inside something real. Her hands have stopped shaking. She notes this clinically: the shaking stopped on the third-floor landing, between the smell of someone else's cooking and the sound of a television through a closed door. Ordinary things. The hallway behind her at Number 34 had no ordinary things in it at all, and the absence had weight, and her hands had understood that before she had.
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